I've
mentioned in my last review of The
Stars My Destination that following that I would be staying for
a while in the science-fiction genre. With that in mind my next foray was
into the horse-killing sized The World Treasury of Science Fiction.
A near 1100 page, larger than pocket sized anthology of some of the
greatest writers of the genre. All the greats are here - Vonnegut,
Campbell, Sturgeon, Clarke, Heinlein, Asimov, Bradbury, even Burgess. And
the thrill of this book is the fact that this is not your typical
collection. Within are the more obscure short stories of these giants of
the SF genre. Instead of finding yourself reading yet another retelling of
Asimov's I, Robot or Heinlein's Stranger in a Strange Land,
you are treated to their earlier works. All are quick and I can easily
warp through three within a day's time. Some of them are grand studies
that involve not only technological advance and futurism, but theological,
philosophical and moralistic studies in what, at the time of the stories'
writing, the future might bring.
Now before you delve into a book of this nature, you must first put yourself in a certain mindset. I've read a lot of SF over the years, as many of you have I'm sure, and what you have to realize is that lest you find yourself disappointed in the works herein you must realize that these stories are from the golden age of SF literature. Pre-80's literature, that is, as far back as the 40's in some cases. So before you skip a story because you feel you've read this type of plot before, remember that at the time the story was penned down this type of plot didn't exist yet. These are originals from the genre stories which have influenced and formed the foundations of SF for decades to come.
The book is wonderfully put together with an introduction that discusses in depth and detail the effects of SF literature around the world. Taking you back as far as 1929 when the term "science fiction" was first coined, and how from there it has grown in stature, interpretation and form to move from the sordid laughing stock of the literary world it began as and into the current highly-respected genre it is today. Also prefacing each author's contribution to the book, you'll find a short introduction of them, including their works, where the story you are about to read first appeared and how the author overall has influenced the future of the SF literary form.
As an anthology I thought it best to write this Off The Shelf column in the same style I wrote the review for The Disciples of Cthulhu that is to say, providing a bit of insight into each story. Also, because of the book's size, I have begun writing this book review prior to completing the book. I'm about halfway through it now, and before I lost the feel and enjoyment I might have gained from earlier stories in this collection I thought it best to break and write them up before I forgot anything of importance from each. With over fifty stories in this book, there is no doubt that this review will be the longest I've written yet. So onward we go into the golden age of SF!
Harrison Bergeron by Kurt
Vonnegut, Jr.
One of the SF's earlier contributors, Vonnegut
later disavowed his membership within the SF community because of SF's
undesirable flavor to the literary world at large in the 50's through
60's. However, he has been published numerous times in slick fiction and
SF magazines and his The Sirens of Titan was a Hugo Award nominee.
His inclusion within World Treasury as the opening story kicks off
the book with a utopian brutality unmatched. Harrison Bergeron is
a phenomenal piece of writing, however short, and shows Vonnegut's
trademark wit and sarcasm. One of the shortest, yet best, pieces within
this anthology.
Forgetfulness by John W.
Campbell, Jr.
Campbell was the first to build his writing
career strictly within the science fiction genre of writing. His death in
1971 left a legacy of short stories and his editorship of Astounding
magazine broadened the scope of the genre and introduced to the world such
future greats as Heinlein, Van Vogt, Sturgeon and Bester. The earliest
story in the World Treasury collection, Forgetfulness was
brought forth in 1937. Forgetfulness looks into the idea of
mythology-as-alien culture, a popular plotline. But again, one must
remember - published in 1937, it was one of the first of its kind.
Special Flight by John
Berryman
One of Astounding's earlier writers,
Berryman was one of the forerunners of the "galactic drama" form
of science fiction now popularized still today by such media giants as
Star Wars and Star Trek. A crew flying against the odds
through space, Special Flight is somewhat atypical - but again an
earlier and genre-establishing example - of the crew-as-hero storyline.
Chronopolis by J. G.
Ballard
By the 1950's, the science fiction world was
starting to evolve into a more intellectual pursuit. Ballard was an author
from this period, and publishing a colder, darker style of science fiction
concentrating more on the utopian aspects of futurism. Chronopolis
is the story of time-as-enemy, a significant plot that takes us into a new
world where the timepieces of the earth have become the tyrants blamed for
a civilization's near-downfall.
Triceratops by Kono Tensei
While America has and probably still does hold the reigns of science
fiction literature, there were other nations that stepped up with their
authors to peek into the fray. One of these was Japan's Kono Tensei. His
Triceratops translation found here shows the Japanese' fascination
with large animals - Godzilla, Mothra, etc. Triceratops
leaves the reader without much in the way of explanation on how the plot
opens up, providing a very weak example against the theoretic nature of
American SF.
The Man Who Lost the Sea by
Theodore Sturgeon
Wonderfully written, The Man Who Lost
the Sea shows how Sturgeon was easily one of the more classic-style
writers. Concentration here is on the prose moreso than the science and
one might even be hard pressed to find an SF variable beyond its dramatic
flair, if not for the obvious space and astronaut references herein.
Theodore takes the reader on a journey that leads into the deepest
recesses of a man's mind, and provides at the end a wonderfully surprising
turn.
On the Inside Track by Karl
Michael Armer
Another national contribution to World
Treasury, Armer's SF from Germany is one of the few English-translated
authors of the genre. The story is interesting but slightly dragging, the
highlight of it being the personalities of the alien and human stars of
the plot. The ending is bittersweet and satisfying however, providing a
unique look at alien-human camaraderie which is rarely found, the aliens
typically being the harbingers of evil or destruction in many of SF's
popular stories of the period (War of the Worlds comes to mind).
Coming to mind when I think of On the Inside Track insofar as the
friendship journey goes is movie Enemy Mine.
The Golem by Avram Davidson
One of the few examples of wit and humor within the anthology,
Davidson's The Golem twists the mythological man-made robot and
spins it into a witty conversational story. It's a strikingly funny piece
and clearly shows the twisted nature of humanity, at any age, to turn
whatever comes up in their own favor.
The New Prehistory by Rene'
Rebetez-Cortes
Spanish SF is few and far between, but herein
lies a contribution of such in the form of The New Prehistory.
This shorter work is a drama of evolution gone wrong - or then again,
right, who am I to say? Powerful and disturbing from beginning to quick
end.
A Meeting with Medusa by
Arthur C. Clarke
Britain's Clarke is a giant of contemporary
SF. Such novels as the highly acclaimed 2001: A Space Odyssey and
Childhood's End have graced the shelves of science fiction
aficionados for years and will continue to do so. Who doesn't remember the
rise of Hal within the former? A Meeting with Medusa is one of
this collection's longer works. It is nowhere near exciting to read, but
instead is a progressively wondrous piece of discovery as mankind learns
just what type of strangeness can be found in the Universe at large.
The Valley of Echoes by
Gerard Klein
One of the more distinguished French writers of
SF literature, Klein was a master at device styles within his writing.
Switching between past, present and future tenses at will to heighten the
literary stature of his work, France's SF contributors - Jules Verne comes
to mind - are some of the more literate of the genre. The Valley of
Echoes is a slow moving piece, but shows how loneliness and
non-contact can be just as much a hurdle in space travel as technology.
The Fifth Head of Cerberus
by Gene Wolf
In the 80's, classic science fiction was
finally making more headway into the minds of mainstream media. This can
easily be shown by the sudden burst of Hollywood into the traits of the
genre with everything from alien contact (Close Encounters, E.T.)
to android action (Terminator). At this time the doors of SF was
opened to the world and as such new writers flocked in to provide the
public with new material for the SF craze. Gene Wolf was one of these,
beginning in the 1970s but bursting heavily onto the scene with award
winning novels and multi-volume sagas in the 1980's. The Fifth Head of
Cerberus is a longer contribution here in this anthology, but is well
worth the read dropping you right into the midst of a new sociological
structure and viewing the rebellious nature of youth during a future look.
The story moves on elusively until it is suddenly questioning morality,
sociology and even philosophy by the end. Truly an intellectual endeavor.
The Chaste Planet by John
Updike
Updike is a contemporary American writer that has
built up quite a following in the literary world. He has, however, once
tried his hand at SF, and the result was The Chaste Planet. A
study in alien sexuality, interesting and well written.
The Blind Pilot by
Nathalie-Charles Henneberg
The writing team of Nathalie and
Charles Henneberg were French SF writers that populated France's Fiction
magazine, begun as a translation of America's The Magazine of Fantasy &
Science Fiction. The Blind Pilot is an unusual story that has
a similar, darker tone to it and I found it reminiscent to the works of
Lovecraft and Poe. A tale of the mesmerizing effect that other-world
creatures can be imagined to have on humanity.
The Men Who Murdered Mohammed
by Afred Bester
Bester's The
Stars My Destination was what got me on my current science
fiction kick. His work is well known, most notably the Hugo Award winning
The Demolished Man. He employs quite a number of twists and turns
in all his SF writings, and The Men Who Murdered Mohammed is no
different. A wonderful story with witty action and humorous outcomes, this
was a highlight to the anthology. The ending is pure genius.
Pairpuppets by Manuel Van
Loggem
A Dutch story in the vein of Brave New World,
Pairpuppets looks into the future of sexuality within the human race.
In this plot, mating and sex have been boiled down to a science, and
humankind loses the thrill of the chase, courtship and, above all, love.
Looking for alternatives, one man is lead back to the beginning in a great
twisting of the tale.
Two Dooms by C. M.
Kornbluth
Dark and ironic, the work of Cyril Kornbluth
remained in the shadows until the arrival in the 50's of such new pulp SF
magazines as Galaxy and The Magazine of Fantasy & Science
Fiction. A wonderful tale of twisting dimensions, Two Dooms is
one of the stories that visits the "what if" scenario by placing
America as a loser in a world war. The discovery of nuclear weapons leads
a scientist to question the morality of such destructive powers
and
shows him a scenario designed to guide him to the right choice.
Tale of the Computer That
Fought a Dragon by Stanislaw Lem
Lem is one of the few
Polish writers of contemporary SF, and his story found here takes on a
strange and ironic twist in the form of a fable. Mixing up folklore with
technology, Tale of the Computer That Fought a Dragon is
ironically simple yet wonderfully written. It almost has a child's parable
feel to it, easily read by anyone. Although the deeper meanings of
theology and philosophy hidden behind the flair can only be seen if you
look deeper.
The Green Hills of Earth by
Robert A. Heinlein
A great of the genre, Heinlein has
brought us such novels as Stranger In a Strange Land, I Will Fear No
Evil, The Number of the Beast and one of my personal favorites, The
Door Into Summer. A folk style story, The Green Hills of Earth
is the saga of a spaceway hero by the name of Rhysling. Dipping us deep
into the history of a time we've never seen, he has the knack of keeping
the reader from drowning in an unfamiliar place with his literary flair,
giving us only enough technology of the time to keep the story smooth and
flowing without becoming stooped in intellectual fodder. Very unlike his
highly-scientific and moralistic Stranger In a Strange Land, of
which he was most known.
Ghost V by Robert Shcekley
Sheckley is one of the few writers to attain near-fame based only on
his short fiction. He did turn to novels later with such works as Immortality,
Inc. and Mindswap. The very witty Ghost V is a comedic
story of childhood nightmares come true. A refreshing read.
The Phantom of Kansas by
John Varley
Varley burst onto the scene in the 1970s, but
faded away in the 80s as he become a revisor of scripts in Hollywood.
Asimov himself hailed Varley as "the new Heinlein" in the 70s,
as he poured a virtual barrage of short fiction into the genre at the
time. The Phantom of Kansas is a great story, a futuristic version
of the mystery. It closes with a great twist and even a slightly Hal-like
system of databanks that, in the end, questions its own morality.
Captain Nemo's Last Adventure
by Josef Nesvadba
A Czech SF writer, Nesvadba is similar in
style to Campbellian era golden age SF. Borrowing Verne's Captain Nemo of
20,000 Leagues Beneath the Sea and the Nautilus name as well,
Nesvadba provides us a heroic astronaut willing to throw himself and his
crew into danger in true Batmanesque style. A space drama in the truest
sense.
Inconstant Moon by Larry
Niven
Niven is one of the writers to which the term "science
fiction" can truly be applied. While not a literary or stylistic
author, Niven's stories always highlighted scientific postulations against
problems. Exacting in his placement of technological notions and imagery,
Niven's work always shows clever use of knowledge. Inconstant Moon
is a wonderful story that explores the possibilities of galactic
catastrophe and pits this against the forward thinking players in the
tale. Its problem-solving slant is very reminiscent of Mysterious
Island or Robinson Crusoe.
The Gold at the Starbow's End
by Frederik Pohl
Pohl is most well-known as the editor of
such pulp SF magazines as Galaxy and If. He also served as
consultant to Balantine Books, who's leadership in the SF and fantasy
genres would force such other companies as Ace Books and Bantam later into
the fray - both of these companies had him as editor for some time as
well. He however kept up well his own writing, collaborating with such
other authors as Cyril M. Kornbluth and continued into the 1980s to define
post-New Wave hard SF for the genre. The Gold at the Starbow's End
is not even close to an action story. It is however greatly rewarding, if
a bit confusing and intellectually advanced. The story itself looks into
the "if you put a million monkeys into a room for a million years
they'll eventually write Shakespeare" myth, placing people on their
own to do nothing but think and postulate, devising everything from
dialects before their time to mathematical problems that couldn't be
solved elsewhere.
A Sign in Space by Italo
Calvino
Calfino was an Italian writer that occasionally
dipped into, yet usually just barely, the literary genre of hard SF. A
Sign in Space is a confusing collection of verbiage that slowly
outlines evolution from a very backwards start. It's difficult to follow,
but somehow rewarding in its reading. I can't even begin to explain this
one, really.
The Spiral by Italo Calvino
Again Calvino brings us another of his short fiction works. And again
we touch upon the growth of evolution from a truly philosophical
standpoint. A must-read for fans of philosophical and theological
ramblings.
The Dead Past by Isaac
Asimov
I love this story, as much for the fact that it was
written by hard SF great Isaac Asimov as much for its look into time-space
matters. I truly adore stories that involve time travel or time peeking,
finding the overall subject quite fascinating. In The Dead Past,
we are given to a world where scientific research has advanced so far that
everything is horrendously controlled. All scientists find themselves
having to choose such a niche that they become near-ignorants to other
forms of science. I don't mean physics not understanding biology because
they chose to specialize - I mean physics of a particular type of matter
not knowing much about other types of matter. Specializations have become
so stringent that science is advanced by something near idiot savants.
This is the story of one man's curiosity leading him into an area of
research he shouldn't be (it is considered unethical to follow a line of
research not directly related to your own), and closes with such a
fascinating ending that I recommend this piece to virtually anyone even
vaguely interested in reading.
The Lens by Annemarie Van
Ewyck
A Dutch story by post-New Wave writer Van Ewyck, The
Lens looks into religious beliefs of a future time and distant planet.
Interesting even if a little dull, The Lens is a rather short
piece that you'll breeze through quickly.
The Hurkle Is a Happy Beast
by Theodore Sturgeon
Sturgeon, contemporary American writer
he is, shows us again his playful SF side in the short story of the pretty
blue hurkle. He doesn't bother to explain much, instead concentrating on
the actions of a Seuss like creation of his. It was a refreshingly happy
story, well placed after the depressing crush of The Lens.
Zero Hour by Ray Bradbury
One of the 1970s greatest writers of SF, Bradbury is known most for
his Martian Chronicles and, of course, Fahrenheit 451
collection. Zero Hour is a highlight to The World Treasury of
Science Fiction and I enjoyed it immensely. Taking another look at the
alien-invasion genre of fiction, Zero Hour touches lightly on the
idea of innocence, ignorance and usage of such to bring about the
destruction of mankind. Wonderfully told.
Nine Lives by Ursula K. Le
Guin
Hugo-award winning author for her novel The Left
Hand of Darkness, Le Guin is a feminist both in stature and within her
fiction, including her SF writings which put her in the forefront of
contemporaries of the genre in the 60's. In this book her story Nine
Lives shines as a brilliant example of an off-world and cloning plot
together, exploring the nuances of multiples in a future time. Each taught
a specific specialty to create a functional team, what happens when only
one is left to fend for itself? Somewhat slow moving and probably not one
the action-adventure types will enjoy, it nonetheless carries a deeper
look into the psyche.
The Muse by Anthony Burgess
Burgess is well known in contemporary SF and literary circles, most
notably for his spectacular novel A Clockwork Orange made famous
by the notable Stanley Kubrick on the silver screen. He began in the 50s
and 60s spearheading the New Wave SF movement in Britian. The Muse
is a time travel story, though it doesn't surround the plot with technical
details. Instead it is quite twisted and not unlike the surrealistic Orange.
An awesome ending.
The Public Hating by Steve
Allen
Yes, that's right, Steve Allen. The actor, talk show
host and comedian wrote a single SF story, and this is it. The writing is,
admittedly, under par with the literary examples of Burgess, Bradbury and
others within this book, but The Public Hating indeed turned out
to be an interesting look at paranormal abilities of a future human
culture. A very quick read.
Poor Superman by Fritz
Leiber
Leiber is popular in Lovecraft fiction circles and
indeed corresponded with the enigmatic H.P. himself back in the day. He
eventually got pulled into the circle of writers that surrounded Campbell
and the New Wave SF movement. Leiber, in Poor Superman, takes us
to a utopian culture future of humankind where all of the world's biggest
questions are entrusted to a group of people called The Thinkers.
This group is said to be the greatest creative minds of all time, advising
presidents and generals in their endeavors. As it turns out, it's all just
business and string pulling. Conspiracy theorists will love this one.
Angouleme by Thomas M.
Disch
A writer within both the US pulp magazine and
Britian's New Wave movement after living there for a while, Disch's wrote
a number of serial style pieces. Angouleme is a stand alone short
fiction, rare with Disch's work. It's more a "childhood journey"
story than science fiction and it doesn't seem to fit within the confines
of World Treasury, but whatever man.
Stranger Station by Damon
Knight
Damon Knight is a name you will see frequently within
SF, in many forms. A heavy translator of European work, editor and
encouraging teacher to new writers in the scene, he spent more time
editing and teaching than writing his own work. Stranger Station
is a hard SF piece with theological and philosophical depths. What happens
when two alien races, both of which are a blasphemy of vision to the
other, see for the first time their likenesses? And why do they do it?
Wonderfully written and a definite thinker's piece.
The Dead Fish by Boris Vian
Frenchman
Boris Vian was also a translator of contemporary
SF in the 40s, and never really wrote much at all within the confines of
the genre. They wanted to represent him within World Treasury
nonetheless and did so with a strange, surrealistic piece called The
Dead Fish. It's murder in the constraints of a Picasso painting.
Fucking weird.
I Was the First to Find You
by Kirill Bulychev
SF in the Soviet Union is few and far
between, but they do have their few notables including Kirill Bulychev. A
far-off space mission is excavating a site on another planet when they
find an anachronism that doesn't match what they expected to find. Where
could it have been, when they were supposedly the first to arrive from
Earth on this far-off world?
The Lineman by Walter M.
Miller, Jr.
After winning the Hugo Award for A Canticle
in the 1960s, Walter stopped writing fiction. The Lineman is a
short piece that is usually put near or next to his award winning novel.
Delving into an off-world lifestyle, The Lineman touches on
loneliness, brooding men as they attempt to make it through their mundane
and hazardous existences far from their homeworld. It's not an action
packed story by any means, but it is a slower paced and interesting read.
Miller excels at building characters to true dimensions.
Tlon, Uqbar, Orbis Tertius
by Jorge Luis Borges
Argentinian writer Borges is weird. His
story found here is weird. The backdrop of the story is weird, the plot is
weird, the understanding of the story is strangely out of reach. Highly
intellectual and taking the "I think therefore I am" posturing
further to create something of an "I think therefore it exists"
mass-consciousness level, do NOT read this story while under the influence
of, well, anything. It's very in-depth, difficult to follow, but closes in
an amazingly thought-provoking end. And, at the beginning, Tlon
was one of my hated stories in this book. But by the end, it is suddenly
placed near the top. And I'm not sure why - it's damn weird.
Codemus by Tor Age
Bringsvaerd
Norway's Bringsvaerd is one of the few from the
Scandinavian area involved in writing SF. Plenty of American SF has been
translated here, but until Bringsvaerd it only had an audience with little
participation. Technology and sociology meld to form a rather disturbing
version of a utopian extreme in Codemus. It's one of the best
stories in this anthology and I recommend it highly.
A Kind of Artistry by Brian
Aldiss
Aldiss is a follower of the H.G. Wells camp of
British SF from the 50s. Stylistically his writing is similar in vein as
well. Mixing fantasy with a hero-driven space-drama plot format, A
Kind of Artistry also throws in a good dagger of angst along with the
cultural boundaries as cause. Not the best story in the collection, but a
fun drop from the seriousness of Codemus.
Second Variety by Philip K.
Dick
Everyone even remotely aware of contemporary SF has
heard the name of Philip Dick, creator of the cyberpunk anthem movie Bladerunner
- or at least a book called Do
Androids Dream of Electric Sheep? on which the movie is based.
Robots are of course one of Dick's favorite subjects, along with all the
considerations that might go along with this morally, philosophically and
theoretically. Second Variety is a story set in a similar war-torn
universe as you have seen in The Terminator, but just prior to the robot's
movement up the food chain. I had figured out the twist ending before I
got there, however
although the implications of it came to light
better after it. But knowing something that the major character hasn't
figured out through half the story was kind of disappointing.
Weihnacht-sabend by Keith
Roberts
Unfortunately, Weihnacht-sabend was another "what
if?" scenario story. It touches on mind control and manipulation, but
not in depth and not to my liking. I'm not a big fan of "what if?"
style SF and consider it more Alternate-Historical or something like that
to begin with, so I didn't enjoy this one much at all.
I Do Not Love Thee, Doctor Fell
by Robert Bloch
Bloch was another Lovecraft correspondent
and, strangely enough, the author of the classic Psycho. In
similar vein is I Do Not Love Thee, Doctor Fell. Not really SF and
more what I would consider psycho-horror better placed among Silence
of the Lambs, as one example. But I loved the story. Great ending.
Excellent mindfuck style psycho-drama. It was weird to come across it in
this anthology, but it is good fiction.
Aye, and Gomorrah
by
Samuel R. Delany
Delany is a well known author of the more
modern 60s/70s SF genre, and successfully pushed the bar up on literary
excellence within the community. His writing swiftly carries you along,
but in this example leaves you stranded at various points around. Much of
this short piece is left to your own decision, but you pick up enough
through the work to be able to begin defining a strange and deviant world
that will have you thinking for a while.
How Erg the Self-Inducting Slew
a Paleface by Stanislaw Lem
Lem is fairly well known
Polish writer of SF. This piece is an another-realm story filled with
drama and surrealism. His other story in this book is very similar to the
make-up of this fantastic piece. Taking on a completely mesmerizing
alternate reality fairy tale stance, it's one of the highlights of this
collection. Much like his other piece here.
Nobody's Home by Joanna
Russ
Beginning her career while a student of writer Vladimir
Nabokov (Lolita), Russ
became another stroke of feminism in the genre. Slow moving and delving
into sociological territory, it moves very slowly. Nobody's Home
wasn't a highlight. I must admit the utopia-as-nude-beach idea isn't bad
though.
Party Line by Gerard Klein
Klein has put much into contemporary SF, first starting as a
Bradbury-influenced writer at the age of 19. He has also done (and may
still be?) editing for a magazine that concentrated on French translations
of new SF. In Party Line, a man is faced with a strange and
portent-laden decision to make. And suddenly the story ends without the
resolution. Boy, that pissed me off
The Proud Robot by Lewis
Padgett
From Campbell's stable of 1940's writers, Lewis
Padgett is the pen name of pulp hack Henry Kuttner. This is my first
encounter with his work, including writings under the Kuttner-Moore team
which he is more well known for. And I really enjoyed The Proud Robot.
It's a silly, warped story of an intellectual eccentric genius and the
most beautiful can opener in the world.
Vintage Season by Henry
Kuttner and C.L. Moore
And yet another example of the work
of Henry Kuttner following his pseudonym. While most people like the work
he did with his wife C.L. Moore moreso than his work as Padgett which he
did alone, I found The Proud Robot a better read than the poor
example of a time travel story given here.
The Way to Amalteia by
Arkady and Boris Strugatsky
Brothers Arkady and Boris close
this anthology with the fairly long The Way to Amalteia. Not one
of my favorites here and moves quite slowly, this piece is reminiscent of
Robin Carusoe's classic story of being stranded, only with an SF
background. The technology is discussed in something of detail and is
quite well done, however.