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CD Review
The Evolutionaries Normalized
By Marcus Pan
Twice I had to receive this CD (postman
squashed it). I'm glad I did though, since this time I got one from the band
themselves and had a better press kit to go with it. Folks devoted to
"assisting in the decay of our modern civilization," The Evolutionaries wait on
the fringe of destructive process for the next rise of power after its
downfall. Their debut, Normalized, is one of the better freshman
releases that have crossed my desk.
At the outset, The Evolutionaries have a Reznor/Manson
influence and make-up, and indeed the press kit states this unabashedly. But
it's less up front about it, deeper seated and maybe slightly more intelligent
in design. You will find the guitars, for example, but they're somewhat more
subdued as The Evolutionaries create a more interesting mix.
Sometimes this mix is very dirty, almost bordering on
amateurish, such as the opening This is Not Real. But this is more of
their experimental side it seems as more well-made tracks like All the Dark
Things and Kill it From the Inside portray a more accessible form of
heavy industrial. Much more polished as well, and very crunchy to the
palate.
The core bassline of Kill it From the Inside is
simplistic, but used to good effect as a key ingredient around which to wrap
surrounding keyboard and vocal work. It's a key part of the track and keeps it
from splitting apart at the seams. Hollowgrams is probably the most
Manson-like track vocally and lyrically. Slave is as well, with its
heavier use of guitar riffs rather unlike their previous tracks.
Morning Star gets low key and broody, but tends to
have pieces of the tune wander away from each other. It doesn't have something
like the Kill it From the Inside bassline that fused that earlier track
together. Fade seems to have the same problem, though not as severe. The
scratching guitar keeps some of the surrounding sounds in check, but
occasionally the tinkling synths will get away for a bit and steal from the
track's power. The attempt gets even more disconcerting near the end as, when
the song grows, it has nothing solid to grow from and instead becomes
haphazard.
Interesting and not bad at all, and again excellent for a
debut release. The Evolutionaries do have to tighten up a bit methinks, but
it's a good listen and worth the money. It will be very interesting to see
where the Evolutionaries evolve to next as their sound tightens, their work
gets more mature and maybe they kick off a bit of the amateurism for a more
solid form.
Contact Information: The Evolutionaries
Post: 128 E. Broad St. #3, Westfield, NJ, 07090, USA Phone: (732)
690-0375 E-Mail: stout@the-evolutionaries.com
Web: www.the-evolutionaries.com
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