Horna - Envaatnags Eflos Solf Esgantaavne
By Marcus Pan
Horna's Envaatnags Eflos
Solf Esgantaavne CD will be the third black metal disc I write about today
and I'd be lying if I said I'm cool with that. I can appreciate the technical
workings of black metal in most instances, but I won't count myself as a fan. I
can't understand what anyone's saying.
Horna's been at it for 13 years now, starting in 1993 with
their first official release in 1997 (Hiidentorni). The schtick of the
band is one of dark socerer cult types, with back stories and a mythical
creationism designed for band members very similar to the stateside Gwar or
goth rockers Call Me Alice(1). Song names (and possibly lyrics, though I can't
understand them being the guttural screams expected of this genre) are Finnish
and so I can't comment much on lyrical content. I'll have to keep my comments
directed toward the music of Horna due to this fact.
The opening Vihan Tie track is fast and furious, but
not as well mixed as the other two of this musical genre that I've reviewed
today. In fact it opens sounding like it was skipping when in fact it's just
the mastering of the disc. The latter bridge of Vihan Tie is more evenly
mastered and comes out much better than the double-bass drum that mimics a
scratched CD at it's earlier moments. Rusta Temppeli is about as much of
a ballad as you will find in a black metal camp and does a good job of putting
forth a sinister vibe.
As you move to Vala Pedolle on track 3, you realize
that Horna aren't as speedy as other bands in this segment, instead
concentrating on whatever it is the singer is saying of which I haven't
the foggiest idea of. I build this theory from the fact that the vocalist will
come in along with movements in the music (unlike most black metal bands) and
are queued and keyed towards the music as well. That leads me to believe that
he's saying something really cool of which I'll never know.
Unfortunately, without lyrics to discuss it's very difficult
to review this CD being I only have a cursory association with this genre of
metal. I can appreciate it's technical merit and the talent it takes to play at
the speed shown, and I can also state the Horna certainly do work well together
and keep it tight. But I can't say much beyond that as I can't understand, nor
have anything to read from, that gives me an idea of where they are heading on
Envaatnags (not that a Finnish lyric sheet would help me here) other
than the mystical schtick they've created for themselves.
The End Records
Post: 331 Rio Grande #58, SLC, UT, 84101, USA
Phone: (801) 355-0963
(1) CMA were interviewed in Legends #102.
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