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CD Review
Absu - Mythological Occult Metal: 1991
2001
By Marcus Pan
Absu, aka the Cythraul Klan,
claim to have invented a genre of black/death metal known as mythological
occult metal. That doesnt sound like much a genre in and of itself
just a fancy way of telling us their subject matter. While the band is
on hiatus and no album is due any time soon, Absu have decided to
appease their fans by releasing the Mythological Occult Metal: 1991
2001 double CD that includes rarities of their work over a period of a
decade.
Faster and faster and faster squeak the guitars as they go
balls out throughout this 2 CD set. The Gold Torques of Ulaid kick off
the chronology with speed and guts, and though Im not quite sure what
theyre saying its definitely something mythological indeed.
Never Blow Out the Eastern Candle gets us to the type of metal Ive
listened to in my youth, with well played, if a little bland, riffwork and
guitar. The vocal work takes the black metal burp gurglings that heavy-handed
fans of that genre enjoy. Similar style on Stone of Destiny, but here
the sound is much better produced and mastered. Vocals at some points are the
high wail that gave metal, in its hey-day, its power and depth
very nice.
The first three tracks, of which these past two discussed are included, are
labeled as Rarities & Alternate Versions.
On the section from The Temples of Offal, the music
gets somewhat unbearable at the start. Growling vocals that cant seem to
get in sync with the music probably because the instruments are played
so fast that theres no way to sync with them. Unimpressive at best
and this is just the first of those three, Immortal Sorcery. With Sumerian
Sands (The Silence) we have more of the same, with the drummer doing a
decent job but everyone else kind of off on their own. Im verily
unimpressed with this, which according to their press is their earlier works
anyway, so well continue on and see what else is up.
Two songs labeled as And Shineth Unto the Cold Cometh
begin with an almost folk-ambient style, very nice placement after the
battering amateurism of The Temples of Offal. But then it stops being
nice and goes into another barrage of too-fast guitars, though vocal work here
isnt as rumbling and takes on a higher pitch. Does a better job of
hooking up with the rest of the musicians too. Through Hallstattian
Swords, the last section of the first disc, we have various ambient pieces
depicting battles of one type or another like the swordfight surrounded
by Excalibur like music in The Great Battle Moving From Ideal to
Actual, a track name which Im assuming is an example of bad
translation.
The second disc of the Mythological Occult Metal
collection contains three more separate sections Covers, Live and
Unreleased in that order. Iron Maidens classic old metal dirge,
Transylvania, is covered in the first section quite well. Solid, tight
and well played. Its in tracks like this you notice that Absu are great
musicians, its just hard to tell when they just speed it up so much it
gets smooshed. While this version of Transylvania is certainly faster
than Dickinson & crews original, its not as quickly played as
Absus original music here on this 2 disc set. Sometimes you swear it was
sped up via mastering if not, then these guys are excellent players. The
disc starts off, however, with Deathcrush which has some interesting and
well done tribal beat work as a good introduction.
The live cuts are raw and unedited. The drum work that opens
The Winter Zephyr is fast and greatly played making me think that the
drummer might have 4 or more arms. All decently done I guess, if youre
into that sort of thing. The Unreleased section meanwhile consists of
Book of Splendour and Tasscomancy.
The bottom line is simple Mythological Occult
Metal: 1991 2001 is certainly a worthwhile record. Fans of Absu will
surely enjoy the live, unreleased and rarities samplings especially.
Technically the band is solid and you can certainly see their music mature and
grow other ambient and experimental nuances as it moves along. Black metal has
never been quite my bag, though, so Im going to pass this along.
Contact Information: The End Records
Post: 331 Rio Grande #58, SLC, UT, 84101, USA Phone: (801) 355-0963
E-Mail: ebprint@sympatico.ca
Web: www.theendrecords.com
Click to Buy!

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