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Off the Shelf
Anno Dracula
By Marcus Pan
In 1897 Bram Stoker wrote a novel that would forever define
and historically alter the mythology of the vampire. Like Mary Shelly redefined
the mad scientist, Stoker redefined the undead nosferatu, forever changing the
landscape of gothic horror and murgatroyd style. Movies from then on would
depict the vampire not as a zombie-like shambling creature, but a more sinister
and conniving soul with an intelligence and evilness unmatched.
In 1992, the Stoker version of Dracula finds itself
rewritten similarly to what science fiction authors have done with recreations
of World War II and alternate reality endings. Taking Stokers original
Dracula as a starting point and mixing in numbers upon numbers of gothic
horror creatures and people, Kim Newmans novel Anno Dracula gives
us an alternate ending to Stokers version of the Prince of Vampires. In
Anno Dracula, the count works his way into the minds and lives of the people of
England through their Queen, transforming her into an ugly caricature of her
former self after he turns her with the dark kiss. This places him as a Prince
Consort to the throne of England so long as shes alive and under
his spell.
The repercussions throughout the kingdom are far reaching
and terrible. England begins to feed on itself, and Kims version of
Dracula, Vlad Tepes, as a creature of a poisoned bloodline (and not the father
in darkness of all vampires, mind) takes a dramatic take to the lives of the
nosferatu as a whole throughout Europe and the world. The scene in England
begins to take on the scope of racial and equality issues of the modern day
real world and near outward revolt begins to tear the country apart as the
doomed bloodline of Dracula eats the country from within with its
perversions.
The story focuses mainly around a vampire slayer in England,
using the insurrectionist time as a shield to his madness. Historically labeled
as Jack the Ripper, the killer moves throughout the dark foggy streets of
England putting an end to cheap vampire whores with his silver laced scalpel.
Mixing in historical figures like Lady Bathory, Chardagnac and others into the
story as mentionable characters, while not engraving them into the story
itself, creates a novel that is large in scope and historically sound,
therefore increasing its believability tenfold.
The chase of Jack the Ripper centers on two of our main
characters, human Charles Beauregard and vampire Genevieve Dieudonne, and lead
them like puppets through the city. The mysterious Diogenes Club puts Charles
on the case and watches from afar, using the couples eventual discovery of the
crimes as an excuse to get Beauregard close enough to the now-enslaved Queen to
forever change the kingship of Prince Consort Dracula in a most heroic and
unexpected manner even if it makes perfect sense as an afterthought.
The novel takes on the form of a gothic mystery at first,
but winds us through the laces of royal lineage and, of course, nosferatu
bloodlines. It doesnt get as intrinsic in the study of vampire families
as Delores Confession[1], so dont worry that its going
to read like a soap opera style family tree. These are intrinsic plotlines to
the underlying story, but are kept from muddying the swiftly moving chase of
the Ripper and the background schemes of mysterious clubs like the Diogenes,
which can be compared to Illuminati or Freemason groups within this
novels 1880s timeframe.
Well written, albeit a slight long, but then again Im
not quite sure how such a largely encompassing story could have been told any
shorter. A good read for anyone who enjoys gothic horror and a very interesting
take on Dracula, giving him a much darker appeal and treating him with more
disdain than Stoker did. Dracula here is not so heroic
instead portrayed
as a sicker version of what were used to. And the idea of vampires and
warm-bodies living together in a society, each treating the other side with a
barely tolerable level of disdain, was quite interesting. A good idea taken to
a great level.
Anno Dracula by Kim Newman
Copyright © 1992 by Kim Newman First Avon Books ISBN:
0-380-72345-X Library of Congress Card: 93-21934
[1] Reviewed in
Legends #90.
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