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CD Review
The Knife Silent Shout
By Marcus Pan
The Knife is a Swedish
outfit. Silent Shout is their third release and shows a brilliant
command of interesting electronics, experimentation and ambient movements.
Their music will shift form from trance to avante garde, experimental to EBM
and do so without warning and without a hitch. The group is made up of brother
and sister Olof Dreijer and Karin Dreijer Anderson and the birth of the group
lies somewhere in 1999. Silent Shout, picked up by Mute Records in New
York City, will be the first time The Knife have been sold directly in the
States.
The nominal Silent Shout which opens this CD is
groovalicious, with deep bass tones and effervescent synthwork building
brilliantly over it all. Quiet vocals whisper in occasionally making this a
nice, subtle combination of humanity and EBM electronics. It has a nice trancey
feel to it overall and the continuous low tone bass rhythm is soulful and
moving.
Harmony works occasionally have a trace of weirdness
to it, being harmonized nicely but somehow battling itself. Neverland is
a perfect example of this, each voice vying for an upper hand in the mix
without being aggressive about it. Silent Shout overall achieves a level
of otherworldliness, tracks like We Share Our Mothers Health being
quite weird with its bubbly belly movements. Vocal weirdness during One
Hit is another example of belly movements, an infectious rhythm bouncing it
along.
Then Na Na Na will become natural sounding and
smooth, before Marble Houses light tapping and floaty soundscapes
take us further into a different place thats just barely out of the reach
of vision. Like a Pen begins with a stomp-like trippy tapping collection
of funky rhythms and backbeats, synths adding a bouncy ensemble of catchy
melodies.
Silent Shout was excellent different, weird,
balmy and otherworldly. Funky and smooth movements with complicated shifts of
EBM, trance, electronics and low key bass rhythms make for an interesting
combination. Strange harmonies infuse humanistic feelings into the otherwise
electro-experimentation giving it a sense of being attainable, if a little
strange. The Knife show a brilliant ability to create warpy music ensembles
without succumbing to the complicated mish-mash of most other EBM and
electronic artists.
Contact Information: Mute Records
Post: 140 W. 22nd St., #10 A, New York, NY, 10011, USA Phone: (212)
255-7670 x241 E-Mail: leslie@mute.com
Web: www.mute.com
Click to Buy!
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