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CD Review
Libitina - "A Closer Communion"
By Marcus Pan
The UK has given our scene and our
close-cousin scenes plenty over the course of the past few decades. Hell, they
started it! They've given us the Sex Pistols, Siouxsie and the Banshees,
snakebite and black, cloves, Bauhaus, the Chameleons and so much more. Still
today it is the UK that push the forefront of the fetish fashion scene and
leather boys and girls. Sheffield is a hot spot of goth/fetish activity still;
and probably always will be. The latest to come out of this haven of big hair
and dark lips are Libitina - a gothic rock group made up of Peter, Jamie, Lady
Synthia and Darren. Seemingly leading the group on vocals and programming, with
guitar in hand, is Peter - a beautiful blonde boi with a Siouxsie look and a
Rozz like voice. Also providing sweet vocal ranges throughout the CD is Jamie,
their bassist and leather-lace boi. The only darker haired one of the group,
Darren, plays guitar and sings as well. Lady Synthia provides the pounding
drums to which the other three apply their diversions.
Libitina are currently planning their next album for release
in late 1999 or early 2000. Primary singers for the group are Peter and Jamie -
an interesting shared job that occurred after an original singer left leaving
Libitina without one person who knew all the lyrics to their songs, so these
two filled in where necessary and with what they knew individually. They are
known for their PVC and fetish-fashion live performances throughout the British
Isles (what do you expect, they're from Sheffield for goth's sake!). Their work
has also appeared on The Black Box II, Hex Files: The Goth Bible 3 and
Darkend: Gothic Rock 2. All of these are somewhat well-known compilation
collections and are staples in most UK DJ bins. Darkend was
reviewed in Legends #85 by Haydn Black and at that time he wrote about
Libitina: "Our next stop on the merry-go-round of love is Libitina, a band I'm
an unabashed fan of. Fagility Of Self is one of my favorite tracks from
their debut album, and includes the pastiche 90s keyboards with some good of
fashioned guitar (and a drum machine) to good effect."
Libitina's A Closer Communion (1997) debut release is
a full length, twelve track album that includes their single Fragility of
Self that Haydn upholds above. Additionally there are quite a few lovely
songs here as well, all keeping with the darkwave style that the UK have become
so famous for - and rightly so. The ingredients of ghostly guitar work,
intricate and sometimes pounding drum and bass along with spooky keyboards that
float and wrap around the rest of the instrumentation provide a wonderful web
of music.
Other than Fragility of Self, there are other
songs on A Closer Communion that bear a closer look. First and foremost
is Gothic People, an adaptation of the pulp song called Common
People. On track 11, Gothic People is a half-joke song of a college
girl who discovers the goth scene and decides she wants to be a part of it. "I
wanna look like gothic people, I wanna do whatever gothic people do." In her
attempt to become more gothic, she seems to do everything wrong. She changes
her look, her music, her hair - but she forgets the one true ingredient; the
mind. "But she didn't understand, she just frowned and held my hand." Another
single that has appeared on their compilation endeavors, Painted Whiter Than
White, is a punk-like crossover reminiscent of work by Christian Death. The
drums are constant and the bass rolls with the beats providing a strong moving
piece that echoes with high pitched guitars. Peter keeps from going into the
growling vocalization mode and instead spits the lyrics at you while keeping to
a still-sung sound. Other tracks to look to are The Ephemeral Bed Of
Fire with its strong and solid bass line and the final track, the Whitewash
remix of Painted Whiter Than White.
Libitina are a solid band with a small amount of members.
This I think probably helps them in their music creation - the instrumentation
is personal to each other, wraps around each other and all pieces of sound
compliment one another in an almost perfect combination. Darkwave may have
reared its moody, angst-ridden, white painted head in 1979 at the outset of The
Banshees and Bauhaus - but like people, twenty years is a good age of maturity.
Libitina is that maturity.
Contact Information: Post: Libitina, PO
Box 226, Sheffield, S10 1XX, UK Fax: +44 0870 056 2136 E-Mail:
libitina@libitina.demon.co.uk
Web: http://www.libitina.demon.co.uk/index.html |
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