Off the Shelf
The Dark Tower IV - "Wizard and Glass"
By Marcus Pan
"Ask me a riddle." Blaine the
somewhat-sentient monorail has challenged our heroes to a riddling match and
now, at the start of the fourth book in the Dark Tower series, Roland and the
rest of his ka-tet face off against the computer in a battle of wits. I'm not
one for riddles, though - I didn't enjoy this part too much. I respect a man
who can end a book with a cliff hanger involving a children's game; riddling.
But I kind of breezed through this portion of "Wizard and Glass" for one reason
- I suck at riddles. The way the gunslinger ka-tet beat the computer was
interesting however - they used humor. It was Eddie who figured it out and
started testing Blaine with those silly type of riddles that we used when we
were young. "Why did the chicken cross the road?" It was the spontaneous
emotion of humor that Blaine could not summon up and use to answer the riddles.
Sure he may act human, talk human, answer riddles and questions like a human;
but he's not human. Blaine doesn't have the experience of growing up that we do
- and that's what Eddie took advantage of. Of course we ALL know why the
chicken crossed the road
and all the derivatives of that riddle there
could be. But Blaine doesn't know it - and doesn't get it. So Eddie forced him
to think and delve into his memory banks hard and far enough that he suffered
what I figure is akin to an electronic stroke. Huzzah! Remember that for the
day our computers try to kill us all a'la Maximum Overdrive. Maybe it'll save
our bacon.
King has always had a tendency to link all his stories
together. I spoke of this earlier in this column when I discussed his novel
Needful Things. How he has built up a "well-done yet not over-wrought history
for a small town that exists only in a man's head." This trend is amazingly
apparent in "Wizard and Glass." It seems like one of his goals when creating
this long series of the Dark Tower was to build a multiverse where he can
somehow fit every story he's ever written - and others as well. In the last
book we mentioned how the Tick-Tock Man was helped up by a man who called
himself "Maerlyn." In this one we actually visit the emerald city of Oz. No,
really - red shoes included. The subtle implications of a Merlinesque character
that can tie King's fantasy to that of Le Morte de Arthur is one thing - but to
come across the emerald tower from the "Wizard of Oz?" Methinks King is getting
presumptuous.
Much of this novel focuses on Roland's past. King takes us
to the time when he and his two childhood friends, Cuthbert and Alain, go on
their first adventure just after Roland earned his guns by besting his teacher
Cort in battle. The boys are sent away to be kept out of trouble as John
Farson, the "Good Man" he is called, is about to embark on the final leg of his
war with the Affiliation of which the gunslingers are a part. They find their
own trouble, of course.
A lot of Roland's past is wrapped up in the story of his
first love - Susan Delgado of Mejis barony. King spends a lot of time with
these two - through the center of the book I thought I was reading a western
romance. Too much time on Roland's experiences with Susan? Maybe - the book
began to drag. And the dragging made it ever more difficult to read as this is
the largest of the Dark Tower series thus far (the trend for this series is
they get larger each book). Finally near the end you are treated to a great
epic battle, western style, complete with exploding tankers, blazing guns and a
great strategy by the three boys (and Roland was a boy at this time - this was
far in his past) to lead the chasing dozens into a box canyon where they met
their doom in a "thinny," a place where time and space has broken down and
swallows things. Where these things go you never find out - you can run your
imagination on this one for a long time.
Added to this mix is a glass ball that is from a group known
as the "Wizard's Rainbow." This ball shows you things that happen in far-off
places - a type of scrying device. But it eats into your mind, becomes an
addiction and eventually dooms you. Keeper of this ball for most of the story
is the archetypal crone, Rhea, an old witch of Mejis. Her addiction to the pink
light of this piece of the rainbow drives her to cross Roland and his party at
every turn - including the taking of Susan Delgado.
The book was long. That's the summary. It was a long,
somewhat dragging read. The inclusion of the Emerald City from Oz turns out to
be more of a "duh" than anything else. They even had the "Ignore the man behind
the curtain" scene. Puh-leeze! But even though the book was drawn and long, it
is necessary. It is a needed piece of the puzzle that makes up Roland the
gunslinger because it helps you to see deep inside his character. Sure his
history as shown in "Wizard and Glass" may have been a bit too sappily
romantic, but it is a necessary piece that you must trudge through. Kudos to
King for one of the most well done examples of character creation and
development that I've ever read. And he can cross this development across his
other novels as well, as we've seen. Our man who once introduced himself as
"Maerlyn" has also introduced himself as "Flagg" (remember Eye of the Dragon,
King's first foray into fantasy land?). And Roland also knows him as "Marten,"
the wizard who seduced his mother many years ago.
The next piece of the Dark Tower hasn't arrived yet. King
says in his Afterword that he expects it to end with seven books. I'm hoping
the last three won't be as long and dragging to read. Let it flow like the
first three. Onward down the path of the beam!
"The Dark Tower IV: Wizard and Glass" by Stephen
King Published by Plume Copyright © 1997 by Stephen King ISBN
0-452-27917-8
Click to Buy!
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